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Frank Ball writing in his study

The quote library

Frankisms

Short truths, collected over a lifetime of writing and teaching. Read a few, or lose an afternoon.

Collected
1,993
  • A drop of ink may make a million think. — Lord Byron

    writing

  • A flashback should be broken up and sprinkled through a scene the way it might naturally come into a character’s mind. — Jerry Cleaver

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  • A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author. — G. K. Chesteron

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  • A good writer is a trained observer, a person whose senses are always alert to the sights, sounds, smells, feelings, and tastes of the surrounding world. — Dawn B. Sova

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  • A great many fine stories have been lost with the ring of the alarm clock. — Judith Barrington

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  • A great story has been, and always will be, about a character facing conflict and the suspense of not knowing what's going to happen next. — James Scott Bell

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  • A great story will always have its roots in this elemental question of life and death. — Dara Marks

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  • A great storyteller leaves us in suspense right up to the final moments. — Donald Maass

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  • A heroine being chased by a bad guy won’t take time to admire the china pattern in a cabinet or notice a stack of books unless the china is broken or she trips over the books. — Cheryl St.John

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  • A house is just a house until it is occupied by people with problems. — Donald Maass

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  • A little trick that may help you get back to a project you don’t feel like doing is to give yourself permission to write something else—anything you want. — Susan K. Perry

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  • A merely good piece of description can be transformed into a memorable one by cutting away what disguises it. — Theodore A. Rees Cheney

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  • A name should reflect the personality of the character, sound natural, and also be memorable. — Cheryl St.John

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  • A piece of fiction needs forward motion, and for that you’ll need to build pressure. — Carole Bugge

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  • A premise is any single image, moment, feeling, or belief that has enough power and personal meaning for the author to set her story on fire. — Donald Maass

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  • A professional writer is an amateur who didn’t quit. — Jerry Cleaver

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  • A professional writer is an amateur who didn’t quit. — Richard Bach

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  • A room without books is like a body without a soul. — Cicero

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  • A scene is a story in miniature—an action through conflict in a unity or continuity of time and space that turns the value-charged condition of a character’s life. — Robert McKee

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  • A secular writer has to sell thousands of books to be a success. If a Christian writer sold only one copy, but it changed someone’s life, he would be a success. — Terry Burns

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  • A series of short sentences and/or fragments in quick succession can convey urgency and danger. — Joyce Ellis

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  • A statement is quotable when it is extraordinary or wrong, when it comes from an authority, or when it expresses an idea so well you could not say it better. — Robert Pinkert

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  • A story doesn’t begin at the beginning; it begins in opposition to the ending. — Dara Marks

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  • A story is powerful because it provides the context missing from abstract prose. — Chip Heath

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  • A strong story has only one plot. Therefore, a strong story has only one protagonist. — Dara Marks

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  • A synopsis must focus on why the character is doing what he’s doing. — Cheryl St.John

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  • A wise writer shows enough setting for the reader to envision the story world—and no more. — DiAnn Mills

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  • A writer is a person for whom writing is more difficult than it is for other people. — George Kennedy

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  • A writer ought to comfort the afflicted, and afflict the comfortable. — Mark Twain

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  • A writer should have the precision of a poet and the imagination of a scientist. — Vladimir Nabokov

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  • A writer should use the language so that the reader doesn’t even notice the authors’ words and the way they are used. — Rudolph Flesch

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  • Action and character still must take precedence over setting if the reader is to be engaged in the book. — Terri S. Lesesne

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  • Action, reaction, decision — it’s what drives a story forward. — Lisa Cron

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  • Add images key to the scene: textures, smells, taste. It’s important to give the reader reality bites to ground him in familiar things and make him remember a time or a sight or a smell and identify with it. — Cheryl St.John

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  • All aspects of the piece, whether slow or fast, must in some way contribute to the forward movement of the whole. — Laurie Alberts

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  • All books are divisible into two classes: The books of the hour, and the books of all time. — John Ruskin (1819–1900), Sesame and Lilies. Of Kings’ Treasuries, sec. 8

    writing

  • All clichés can be traced to one thing and one thing alone: The writer does not know the world of his story. — Robert McKee

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  • All descriptions should be kept to as few words or lines as possible to keep the story moving forward. — Cheryl St.John

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  • All good writing is swimming under water and holding your breath. — F. Scott Fitzgerald (1896–1940), Undated letter

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  • All my life I’ve looked at words as though I were seeing them for the first time. — Ernest Hemingway

    writing